You may have seen my post here… https://kritterspix.com/2019/11/08/fossil-creek-nd/ regarding Fossil Creek. I was pleased with the photos I got during that visit, so we decided to make the trek to do it again.
After the long drive along the bumpy dirt road to get to the creek, there are several ‘entry’ points for one to ramble down the hill to walk along the creek. We have been a number of times over the years, and enjoy the serenity of the water gushing over the rocks.
It makes a wonderful place for a picnic to relax and let your troubles wash away. (I know, I know, if only it were that simple.) It does though provide a peaceful respite from our hectic lives.
We did notice that Fossil Creek has become very overgrown and ‘scrubby’. In taking photographs, I had a hard time cutting the clutter out of my pix. You may notice that all these photos are tight knit to the horizon with no sky. That’s because the horizon above the water was tangled and busy.
Sometimes you just have to cut the clutter from our vantage point.
It’s fall in Northern AZ. With all the snow (all 10″ between 2 storms) and wind we have had, most of the leaves have fallen to the ground on the Rim… so time to explore fall colors in other parts.
Sedona along Oak Creek makes for a fine diversion. The aspens were in full yellows and the ferns varying shades of reddish brown. It was the kind of scenery that gives you pause as it takes your breath away.
The cascading waters just added to it’s peaceful serenity. It’s hard to beat scenery like this. Arizona is truly a magical place.
One that we are fortunate enough to call home.
There are so many things to remember when trying to make a good photograph. I recently talked about Keep It Clean, and reducing clutter in a photo. Another important consideration is Shade and Light.
In the photo above, it’s easy to see the large disparity between exposures – intense shade and shadows in the water, and blown highlights in the sky and trees. To make the photo successful, I could have done an HDR to take multiple photos with the proper exposure for each separate condition (Shadow & Highlights), and them merged them later.
Or, using the light that I had, I could cut out the blown highlights in camera, and turned my attention to where the light was more even and exposed for the shadows just by looking down. Cutting out the highlights yielded a more interesting and focused composition.
Remember… mind the Shade & Light, when composing that pic.